HIT opens its 20/21 season

HITLab 2020
Delighted to annouce HITLab is now opening up again with two excellent training programmes,  four sessions over a period of four weeks each, meeting once a week. Places are limited to 9 participants so email us now to book your spot.

HITLab 2020: Rehearsal Room

Actors Studio-type-training for English language acting and performance, is open to serious, aspiring actors, as well as experienced actors. A place to work on your craft, learn new approaches, techniques and accents, or prepare your latest monologue.
Starting on 17 November
18 – 21:00 hrs.

HITLab 2020: Writers’ Room

The Writers’ Room is a weekly session for new writers in Copenhagen to learn techniques for creativity, be introduced to new genres and writing styles and gain valuable feedback on your writing –  whether you are a playwright, poet, novelist, blogger, aspiring actor/writer or more.
starting on 19 November
18 – 21:00 hrs


HITting Home

Stay tuned for a brand new, exciting, ongoing writing experiment!

Under HIT, six international playwrights are now being brought together online to  collaborate from their homes in the UK, Denmark, France, Portugal, Sweden and Greece –  to  creatively share their isolation experiences online during Covid year 2020.
The result will be six brand new filmed monologues in English, which audiences will be able to watch being read aloud,  featured on a HIT platform online this Autumn.

Your own story, in the words of another,  in the mouth of the protagonist.

Watch as each partner playwright becomes performer, reading aloud the monologue especially written for them, based on their own story, written by their online, writing partner.
John Foster (UK) pairing with Joan Rang (DK)
Miguel Pelleterat (FR) pairing with Ero Glaros (EL)
Stephen Rappaport (SE) pairing with Ricardo Correia (PT)

Writers from 6 countries – strangers to each other, listening to each other’s stories, writing eachother’s stories – separated by distance, united in isolation.

The HITting Home –  International Isolation Monologues project is graciously being supported by Louis-Hansen Fund.



LGBTQ+ Season

After a fantastic extended run this November of the compelling 1-man plays Harry Clarke and The Shy Manifesto, both pieces have gained critical acclaim and 5 stars for HIT’s actors and directors.
Both these powerful and revealing monologues are a tour de force for any actor. For HIT they are being performed in rep, also as part of HIT’s season focusing this year on LGBTQ+ oriented plays, leading up to HIT’s participation with dramatic works on stage during Worldpride 2021, which in August 2021 will be held in Copenhagen.

Stay tuned for more!


Performances will be held with the utmost concern for health and safety, following all current Danish state guidelines. The use of face masks by the audience is encouraged. Hand sanitizers will be provided. Audience is limited in size to 30 seats.

House of International Theatre (HIT) is an extended platform for international theatre in Denmark. Founded in 2017, HIT has created performances over the last 4 seasons in Copenhagen, Malmö and Hamburg, delighted audiences and met with strong critical acclaim. We perform primarily in English, creating theatre we believe is unique, daring and engaging.
HIT is curated by Local Artistic Director Jeremy Thomas-Poulsen (Down the Rabbit Hole) and International Artistic Director Jana Pulkrabek (Manusarts).


HIT is grateful for the support received in Copenhagen for our work over the last 3 years from:

  • Statens Kunstfond
  • A. P. Møller Foundation
  • Nordic Culture Foundation
  • Consul Jorck Foundation
  • Nordea Fund
  • Oticon Fund
  • Slots- og Kulturstyrelsen
  • Municipality of Copenhagen
  • Hamburg Ministry of Culture
  • American Embassy
  • British Embassy
  • German Embassy
  • Hungarian Embassy
  • Czech Embassy




(Photo credits above: From left to right: Christina Hildebrandt,  Jens Blegaa, scene shot “The Clean House”(Photos @Filip Orestes), Vanessa Poole (Photo@Diego Monsiváis), Jens Blegaa & Tina Robinson, Dina Rosenmeier, Isabel Escudero Zorde (Photos@Filip Orestes)